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Original The Forty Million header art

The Forty Million Radio Program

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The Civil Defense mascot 'Bert the Turtle' promote the Cold War's 'Duck and Cover' campaign
The Civil Defense mascot 'Bert the Turtle' promotes the Cold War's 'Duck and Cover' campaign


Smokey the Bear's original fire prevention poster from 1944, as illustrated by Albert Staehle
Smokey the Bear's original fire prevention poster from 1944, as illustrated by Albert Staehle


Annual March of Dimes campaign programs were regularly heard over Radio throughout the Golden Age
Annual March of Dimes campaign programs were regularly heard over Radio throughout the Golden Age


Special Red Cross programs and promotional bumpers were regularly heard before, during and well after the World War II years
Special Red Cross programs and promotional bumpers were regularly heard before, during and well after the World War II years


Annual Savings Bond campaigns of the era often extended year-round over Radio
Annual Savings Bond campaigns of the era often extended year-round over Radio


The Advertising Council for public service
1950s Advertising Council logo


The 1960s' Litterbug and Every litter bit hurt campaigns were among the most iconic of the decade
The 1960s' Litterbug and Every litter bit hurt campaigns were among the most iconic of the decade

Every litter bit hurts campaign


1960s Watch Out for the Other Guy campaign
1960s Watch Out for the Other Guy campaign


This was the  Western Territories equivalent of a 'mansion' for 19th Century frontier families. Tens of housands of one-room structures like this were homes to families of six to nine family members. Far larger families were a necessity in hope of assuring the survival of at least four or five family members capable of working a homestead.
This was the Western Territories equivalent of a 'mansion' for 19th Century frontier families. Tens of housands of one-room structures like this were homes to families of six to nine family members. Far larger families were a necessity in hope of assuring the survival of at least four or five family members healthy enough to work a homestead.


America's first United States Pharmacopoeia wasn't issued until 1820 and consisted of only 217 agreed-upon drugs, medicines, or preparations. Today's Pharmacopoeia comprises over 13,000 drugs, vaccines, and medicines.
America's first United States Pharmacopoeia (U.S.P.) wasn't issued until 1820 and consisted of only 217 agreed-upon drugs, medicines, or preparations. Today's Pharmacopoeia comprises over 13,000 drugs, vaccines, and medicines.


The above 1955 rules for both pedestrian and biking youth seem laughably stupid to some. And yet the highest single cause of childhood death in 1955 was street-crossing accidents.
The above 1955 rules for both pedestrian and biking youth seem laughably stupid to some. And yet the highest single cause of childhood death in 1955 was street-crossing accidents. Sadly, that number is yet again on the rise. And when was the last time you saw a notice or warning like this?

Background

Programs in the public interest were a prominent feature of Radio programming throughout its Golden Age. All of the major networks of the era not only adhered to the FCC's various Communications Act mandates to set aside a significant portion of their broadcasting schedules, but provided that time free of any broadcast costs. Many went even further by volunteering no cost or minimal cost production resources to public service programming in partnership with the numerous non-governmental organizations (NGOs) of the era.

This undoubtedly comes as a shock to anyone born after the 1960s and raised during an increasingly commercialized, corporatized, unregulated, and 'free market' telecommunications environment. There are any number of contributing factors to this marked decline in genuinely beneficial, politically neutral, universally applicable, and socially, economically, and medically important public issues.

America's oft-cited 'Greatest Generation' was raised on Radio and early Television which broadcast as much as 15% of its daily programming devoted to public service programming in one form or another. There were Public Service Announcement (P.S.A.) bumpers, five minute mini-programs, and even regular 15-minute to hour-long programs entirely devoted to one social, health, or economic issue or another. Throughout the years of World War II, the Korean War, and the Cold War, the Greatest Generation regularly heard or watched programs on:

  • Safe and Defensive Driving Practices
  • Cold and Flu Prevention
  • The importance of Polio shots and other school vaccinations
  • Healthy cooking and meal preparation practices
  • The iconic 'duck and cover' messages of the Cold War years
  • Drug addiction prevention campaigns
  • Savings Bond campaigns
  • The iconic 'stop, drop, and roll' campaigns of the 1950s
  • The March of Dimes campaigns
  • The various Smokey the Bear campaigns to prevent forest fires
  • Local and national anti-littering campaigns
  • Safe street-crossing campaigns
  • C.A.R.E. campaigns
  • Cancer prevention
  • Cooperation with the Census
  • National Safety Council campaigns
  • American Red Cross campaigns
  • Campaigns promoting fire-safe homes and materials
  • Campaigns promoting good relations between the Public Safety Officers and the public

The Advertising Council was the predominant driving force in promoting Print media PSAs throughout the Golden Age of Radio era
The Advertising Council was the predominant driving force in promoting Print media PSAs throughout the Golden Age of Radio era

Several of the campaigns promoted by the Advertising Council in Print and over Radio and Television
Several of the campaigns promoted by the Advertising Council in Print and over Radio and Television

There were innumerable other similar P.S.A. campaigns throughout the era, but their preeminence between the mid-1930s to the late 1970s is a matter of demonstrable historical record. Bowing to increasingly heavy corporate lobbying, the Reagan Administration's FCC finally managed to eliminate altogether the language mandating the set aside of significant, free air time to promote issues in the public interest. That spelled the end of the public services messages that had become such an integral element of the Greatest Generation's Radio and Television experience. Thankfully, for the rest of the civilized world at least, PSAs in the public interest have continued on as a vitally important practice beyond the borders of the United States.

Even during the waning days of Radio's previously unequaled media influence, all of the networks continued their practice of providing programming in the public interest. 'Omibus' programs like NBC's long-running Monitor (1955-1975) took public service messaging to an even greater level, routinely incorporating all manner of PSAs into their weekend-long programming.

It's well worth noting throughout the Golden Age Radio era, the stark absence of fearmongering within the overwhelming majority of the era's PSAs. While fearmongering had proven to be an unfailingly successful tactic throughout the dictatorships and fascist countries around the world, the United States and Great Britain showed admirable restraint in deploying that particular tactic until the Reagan and Thatcher era. Once fearmongering found a renewed voice throughout both the United Kingdom and the United States, the relentless din of fear-based messaging ultimately extinguished forever President Franklin D. Roosevelt's admonition that "The only thing we have to fear is Fear itself." There's no irony whatsoever in the fact that PSAs in the public interest vanished almost overnight once fearmongering regained a foothold in both America and Great Britain during the 1980s. There was, however, a truly remarkable irony in George Orwell's selection of the year '1984' as the setting for his extraordinarily prescient novel, "Nineteen Eighty-Four," which he penned in 1948.

In the final analysis, the employment of every means practical to disseminate messaging in the public interest remains one of the hallmarks of any truly free society. Education and information remain the only history-proven means' to mitigate or extinguish the fears of any genuinely free and democratic society. Conversely, one of the most time-honored metrics in assessing the self-confidence, freedom, and viability of any society is the degree to which fearmongering succeeds or fails in that society. Fearmongering failed miserably throughout the Golden Age of Radio era--in spite of wars, the Wall Street Crash, the Great Depression, the unprecedented cowardice evinced by the House Un-American Activities Committees, and the Cold War years of a very real threat of nuclear conflict. Through it all, a steady flow of mandated information and education via Print, Radio and Television kept fearmongering well at bay.

New York's Health Information Foundation.

Health Information Foundation (H.I.F.) was founded in 1942 as a study and policy research center in support of the Pharmaceutical Industry. HIF's motto, "Information Is Your Key to Health," summarized the driving impetus behind the Foundation's efforts. Based in New York City and funded entirely by the emerging 'Big Pharma' interests of the era, a growing byproduct of some of its longer and more comprehensive studies were years of statistics on the costs of hospital care, the growing gap in survival rates between the poor, the middle class and the wealthy, the growing costs of health care, and the disparities between health care available to the colored population as compared with the white population. The Foundation also developed extensive models for the burgeoning Private Health Insurance Industry, upon which the predictive metrics and demographic models of many of the earliest large scale medical insurance policies were based.

As the Foundation's wealth of statistical information began to accumulate, it was in a unique position to provide statistical support to both the medical industries of the era as well as to the U.S. Government. As the Foundation's reputation continued to grow, it became one of the important sources of statistical research into the latest medical advances, treatment regimes, and medical technologies of the era.

By way of advancing the Foundation's interests and reputation even further, it sponsored and produced the Radio series The Endless Frontier in January, 1952, featuring the distingushed actor Raymond Massey as the series' narrator. The Endless Frontier explored the most dramatic advances in medical technology and research up to that point in medical history as well as previews of medical research and technology then on the horizon and well within Man's reach.

Health Information Foundation further adapted their The Endless Frontier NBC series into a series of articles by Wade Arnold, NBC executive producer of The Endless Frontier. The articles appeared in booklet form, also titled "The Endless Frontier" and released for distribution to schools and libraries throughout the country. The articles dealt with then recent research in cancer, cortisone, nutrition, heart disease, and battlefront medicine.

NBC and Health Information Foundation team up again

The Endless Frontier was so well-received that NBC and Health Information Foundation teamed up yet again during the holiday season of 1952. The Forty Million was proposed as a follow-up program to The Endless Frontier but with a concentration on the health concerns, health care, and medical advances with respect to Child Health in America--and by extension, throughout the world.

Somewhat more ambitious than its The Endless Frontier series, NBC brought together The Endless Frontier's producer and writer, Wade Arnold, and an ensemble cast of The Lockharts--Gene, Kathleen, and daughter June--and Josephine Hull and Thomas Mitchell to provide dramatizations illustrating each program's topics. The series' premiere, Accidentally Speaking, first aired on Saturday evening, October 25th, 1952.

"The Forty Million" referred to the then estimated forty-million children of America and the history of their various health concerns. The series traced the almost total absence of preventative medicine for juveniles, let alone for adults, until the 20th Century. Many of the dramatized vignettes illustrated the various reasons for the high mortality rates throughout the U.S. prior to 1900. Americans prior to the 1900s were forced to rely almost entirely on their respective faiths and the vagaries of fate in their hope to survive beyond the age of a toddler. Outbreaks of disease and illness we view as relatively benign today could decimate entire settlements, towns, and regions of the 1800s. Diptheria was referred to as simply 'croup' and tuberculosis was referred to as 'consumption.' Mothers of the era deemed themselves greatly blessed if even four of their six children survived beyond birth or early childhood. The average age of mortality for adults of the 1800s was fifty.

Infectious disease prior to the 20th Century could jump species', borders or entire continents throughout the world. The advent of faster and more efficient transportation only served to accelerate outbreaks of infectious disease and contagions of the 19th Century. The Forty Million reported that at the turn of the 19th Century, the survival rate among children four years and under was one in twelve.

Supported as it was by the Pharmaceutical Industry, Health Information Foundation understandably stressed the hundreds of preventative and prophylactic serums, vaccines, and drugs that ultimately eliminated most of the more common communicable childhood diseases altogether during the 20th Century.

The Forty Million was presented through a series of nine 'chapters' during its original 1952 run:

  • Chapter 1 -- Accidentally Speaking. Addressed the single greatest mortality threat to American children of the 20th Century--accidents at school and at home.
  • Chapter 2 -- Death Was Catching. A history of the infectious diseases and contagions that dramatically impacted child mortality rates prior to the 20th Century.
  • Chapter 3 -- The Healing Blade. Addressed dramatic advances in juvenile surgery.
  • Chapter 4 -- The Little Piece of Paper. Addressed the need for fully qualified and uniformly trained health professionals.
  • Chapter 5 -- Villain In Hiding. Documented the importance of a healthy diet from the 'basic seven' food groups in combatting malnutrition.
  • Chapter 6 -- Sound Bodies for Sound Minds. Addressed the important relationship between a child's physical health and exercise and his or her mental health.
  • Chapter 7 -- Danger Is A Size. Documented how advances in pre-natal and post-natal care reduced infant mortality.
  • Chapter 8 -- Davey Kills A Giant. Traced the establishment and importance of School Health Programs.
  • Chapter 9 -- Friend of The Bride. The final 'chapter' in the original broadcasts of the series mounted a tribute to the health professionals of the 20th Century--as exemplified by the 'family doctor' of the 1950s.

Owing to its important contribution, popularity, and impact--and its inital airing during the hotly contested Presidential Race of 1952 and 1952's holiday season--NBC rebroadcast six of what it deemed the most important of the originally broadcast chapters of The Forty Million as a Summer series in 1953, as follows:

  • Chapter 1 -- Death Was Catching
  • Chapter 2 -- Friend of The Bride
  • Chapter 3 -- Villain In Hiding
  • Chapter 4 -- Accidentally Speaking
  • Chapter 5 -- Davey Kills A Giant
  • Chapter 6 -- Sound Bodies For Sound Minds

The dramatizations throughout the series were interwoven with historical exposition necessary to advance the script. Josephine Hull's first-person account of a grandmother of the early 20th Century in Death Was Catching was particularly poignant, as--reportedly--was Thomas Mitchell's in The Little Piece of Paper. The series' dramatic support was rounded out by all three members of the Lockhart Family of Radio, Film, Stage, and Television fame--Gene Lockhart, Kathleen Lockhart, and June Lockhart. Legendary NBC-Radio announcer Ben Grauer served as the host and spokesperson for Health Information Foundation and Peter Roberts was the series' announcer.

Series Derivatives:

The Endless Frontier
Genre: Anthology of Golden Age Radio Social Documentaries
Network(s): NBC
Audition Date(s) and Title(s): Unknown
Premiere Date(s) and Title(s): Original Run:
52-10-25 01 Accidentally Speaking

1953 Rebroadcasts:
53-07-18 01 Death Was Catching
Run Dates(s)/ Time(s): Original Run:
52-10-25 to 52-12-27; NBC; Nine, 30-minute programs; Saturday nights

1953 Rebroadcasts:
53-07-18 to 53-08-22; NBC; Six, 30-minute programs; Saturday nights
Syndication: Health Information Foundation
Sponsors: Health Information Foundation
Director(s): Harry Frazee
Victor Weingarten, Wade Arnold [Producers]
Principal Actors: Gene Lockhart, Josephine Hull, Thomas Mitchell, June Lockhart, Kathleen Lockhart
Recurring Character(s):
Protagonist(s): None
Author(s): None
Writer(s) Wade Arnold, Louis Hazam, Robert S. Green, Marjorie Cunningham, Dorothea J. Lewis, Josephine Hull
Music Direction:
Musical Theme(s): Unknown
Announcer(s): Ben Grauer [Host and Spokesperson for the Health Information Foundation]
Peter Roberts [Narrator]
Estimated Scripts or
Broadcasts:
9
Episodes in Circulation: 6
Total Episodes in Collection: 4
Provenances:

RadioGOLDINdex, Hickerson Guide.

Notes on Provenances:

The most helpful provenances were the log of the RadioGOLDINdex and newspaper listings.

Digital Deli Too RadioLogIc


OTRisms:

The OTR World-renowned, OTR-award winning OTR Author, and real OTR historian, Martin Grams, Jr., apparently wows American OTR convention audiences with a Powerpoint presentation--and to self-reported standing ovations, naturally--proving beyond the shadow of a doubt and with geometric logic that the use of newspaper listings, magazines and trade papers from the 1920s to 1960s to research the broadcast history and background of Radio programs from the Golden Age is something only rank amateurs, rubes, or reckless fools would employ.

While unquestionably the biggest fish in the small pond that is OTR, Grams' own first ambitious $90 opus, Radio Drama, cites only the 1953 rebroadcasts of The Forty Million in his authoritative tome's log of the series.

Rank amateurs and utterly uncredentialed as we are, we couldn't help but employ newspaper listings to ferret out the actual, true, historically accurate, original broadcast run of The Forty Million from October 25th 1952 to December 27th 1952. Musta been rank uncredentialed amateur's luck, Q.E.D.

Another minor quibble with Grams' real historian log is that he completely ignored three of the original programs of the series--entirely understandable since he logged only the subset of six rebroadcasts of The Forty Million from 1953.


What you see here, is what you get. Complete transparency. We have no 'credentials' whatsoever--in any way, shape, or form--in the 'otr community'--none. But here's how we did it--for better or worse. Here's how you can build on it yourselves--hopefully for the better. Here are the breadcrumbs--just follow the trail a bit further if you wish. No hobbled downloads. No misdirection. No posturing about our 'credentials.' No misrepresentations. No strings attached. We point you in the right direction and you're free to expand on it, extend it, use it however it best advances your efforts.

We ask one thing and one thing only--if you employ what we publish, attribute it, before we cite you on it.

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We don't pronounce our Golden Age Radio research as 'certified' anything. By the very definition, research is imperfect. We simply tell the truth. As is our continuing practice, we provide our fully provenanced research results--to the extent possible--right here on the page, for any of our peers to review--or refute--as the case may be. If you take issue with any of our findings, you're welcome to cite any better verifiable source(s) and we'll immediately review them and update our findings accordingly. As more verifiable provenances surface, we'll continue to update the following series log, as appropriate.

All rights reserved by their respective sources. Article and log copyright 2011 The Digital Deli Online--all rights reserved. Any failure to attribute the results of this copywritten work will be rigorously pursued.

[Date, title, and episode column annotations in
red refer to either details we have yet to fully provenance or other unverifiable information as of this writing. Red highlights in the text of the 'Notes' columns refer to information upon which we relied in citing dates, date or time changes, or titles.]







The Forty Million Program Log

Date Episode Title Avail. Notes
52-10-11
--
--
52-10-11 New York Times
10:00-WNBC--Reuben, Reuben
52-10-18
--
--
52-10-25 New York Times
10-10:30-Hollywood "Y" Day: With Tony Curtis, Ann Blyth, Alan Young, Bob Crosby, Others-WNBC.





52-10-25
1
Accidentally Speaking
N
52-10-25 Wisconsin State Journal
9 p.m.--
Accidentally Yours (WIBA): special program with Gene Lockhart. (Grid: WIBA 9:00 Accidentally Speaking.)
52-11-01
--
Pre-Empted
--
52-11-01 Wisconsin State Journal
9 p.m.--
Gen. Dwight D. Eisenhower (WIBA).
52-11-08
2
Death Was Catching
Y
52-11-08 Wisconsin State Journal
9 p.m.--The 40 Million (WIBA): new series on latest discoveries and developments in child health. Josephine Hull in "
Death Was Catching," dealing with child's chances of escaping disease.

Announces
the story of new successes in surgery for the following program.
52-11-15
3
The Healing Blade
N
52-11-15 Wisconsin State Journal
9 p.m.--The 40 Million (WIBA): Gene Lockhart in "
The Healing Blade," report on child surgery.
52-11-22
4
The Little Piece of Paper
N
52-11-22 Wisconsin State Journal
9 p.m.--The 40 Million (WIBA):
Thomas Mitchell in "The Little Piece of Paper."
52-11-29
5
Villain In Hiding
Y
[Thanksgiving program]

52-11-29 Wisconsin State Journal
WIBA 6:30 The 40 Million

Announces
how a child's illness can affect his mental health as the next program in the series.
52-12-06
6
Sound Bodies For Sound Minds
N
52-12-06 Wisconsin State Journal
6:30 p.m.--The 40 Million (WIBA): June Lockhart in
story of mental health problem.
52-12-13
7
Danger Is A Size
Y
52-12-13 Wisconsin State Journal
WIBA 6:30 The 40 Million

Announces
a documentary on the Health Programs in public schools as the next program in the series.
52-12-20
8
Davey Kills A Giant
N
52-12-20 Wisconsin State Journal
WIBA 6:30 The 40 Million
52-12-27
9
Friend of the Bride
Y
[Christmas Program; WNBC aircheck promotes the Gene Rayburn morning show; Announces itself as the concluding chapter of the series]

52-12-27 Wisconsin State Journal
6:30 p.m.--The 40 Million (WIBA): Gene and Kathleen Lockhart in "
Mother Of the Bride."
53-01-03
--
--
53-01-03 Wisconsin State Journal
WIBA 6:30 Eye-Witness, 1952





53-07-11
--
--
53-07-18
1
Death Was Catching
N
53-07-18 New York Times
8:30-9--"The Forty Million"--Child Health Series: "
Death Was Catching," With Josephine Hull--WNYC (Premiere).
53-07-25
2
Friend of the Bride
N
53-07-25 New York Times
8:30-9--"The Forty Million"--"
Friend of the Bride," With Gene, Kathleen and June Lockhart--WNYC.
53-08-01
3
Villain In Hiding
N
53-08-01 New York Times
8:30-9--"The Forty Million"--Documentary: "
Villain in Hiding--Malnutrition"--Ben Grauer, Narrator--WNYC.
53-08-08
4
Accidentally Speaking
N
53-08-08 New York Times
8:30-9--"The Forty Million"--Child Health Documentary: "
Accidentally Speaking," With Gene Lockhart--WNYC.
53-08-15
5
Davey Kills A Giant
N
53-08-15 New York Times
8:30-WNYC--The Forty Million--Child Health Series:
Davey Kills a Giant, With June Lockhart.
53-08-22
6
Sound Bodies For Sound Minds
N
53-08-22 New York Times
8:30-9--"The Forty Million"--Child Health Series: "
Sound Bodies for Sound Minds," With Peter Roberts--WNYC.
53-08-29
--
--
53-08-29 New York Times
8:30-WNYC--Great Plays Festival: She Stoops to Conquer, by Goldsmith; With Marjorie Westbury (Recorded).






The Forty Million Radio Program Biographies




Gene Lockhart
(Ensemble performer)

Stage, Radio, Television and Film Actor; Stage Composer and Playwright
(1891-1957)

Birthplace: London, Ontario, Canada

Education: Brompton Oratory School, London, England

Radiography:
1930 Abroad With the Lockharts
1935 Lux Radio Theatre
1936 Tonight In Hollywood
1939 Good News
1939 The Chase and Sanborn Hour
1940 Canadian Red Cross Emergency Appeal
1943 Suspense
1944 Cavalcade Of America
1944 Lady Esther Screen Guild Theatre
1945 The Nebbs
1945 Textron Theater
1947 Family Theater
1950 For the Living
1952 Guest Star
1952 The Forty Million
Return To Christmas Island
The Watchman (Audition)
The Gene and Kathleen Lockhart Hollywood Album (Audition)
Gene Lockhart
Gene Lockhart

An accomplished lyricist as well Gene Lockhart teamed with hometown friend Ernest Seitz to pen The World Is Waiting for The Sunrise
An accomplished lyricist as well Gene Lockhart teamed with hometown friend Ernest Seitz to pen The World Is Waiting for The Sunrise

Gene Lockhart in one of his most fondly remembered roles as Bob Cratchit in 1938's A Christmas Carol
Gene Lockhart in one of his most fondly remembered roles as Bob Cratchit in 1938's A Christmas Carol

Gene Lockhart's rubbery face and expressive smile was a prominent feature in the overwhelming majority of his Film roles.
Gene Lockhart's rubbery face and expressive smile was a prominent feature in the overwhelming majority of his Film roles.

Actress daughter June Lockhart awakens her father Gene Lockhart to announce the critical acclaim of her debut in For Love or Money Nov. 4 1947
Actress daughter June Lockhart awakens her father Gene Lockhart to announce the critical acclaim of her debut in For Love or Money Nov. 4 1947
From the April 1, 1957 edition of the Long Beach Press-Telegram: 

Gene Lockhart, 66, Film Veteran, Dies 

     SANTA MONICA (AP)--Gene Lockhart, a versatile performer who was seen or heard in a half dozen entertainment mediums during his 60-year career, died of a heart seizure Sunday.
     The pudgy-faced actor, director, author and composer was perhaps best known for his character roles in the movies.  He appeared in more than 300 films. 
     LOCKHART, 66, had been hospitalized here only Saturday night, after complaining of severe pains.  He had not been in apparent bad health and was working on a television show to be presented by the General Electric Theater.
     With him at his death were his wife of 33 years, Kathleen, and his actress daughter, June Lockhart.
     Lockhart was born in London, Ont., Canada.  He began his career with the Kilties Band of Canada when he was 6 years old and played in sketches with Beatrice Lillie at the age of 15.
     At various later stages of his career, he was a writer of Broadway shows, a composer, a newspaper columnist and a singer.  One of his songs--written with Deems Taylor--was "The World Is Waiting for the Sunrise."
     He appeared on Broadway in "Death of  a Salesman" and "Ah Wilderness" and directed a number of plays, including "The Warrior's Husband" and "Sumurun." 
     HIS MOTION picture career included roles in "Carousel," "Man in the Gray Flannel Suit," "The House on 92nd Street," "Leave Her to Heaven," "Foxes of Harrow," "Miracle on 34th Street" and "Vanishing American."
     He also wrote radio programs and played many television roles.

The obit really doesn't do Gene Lockhart justice. Gene Lockhart was a genuine American treasure. Somewhat underrated, those who knew of Gene Lockhart's multitude of dramatic and artistic talents were primarily from the Stage themselves. From the age of seven, Gene Lockhart showed a propensity for working on the Stage. After polishing his skills at the Brompton Oratory School in London, England, Lockhart returned to the U.S. ready to take on Broadway.

As skilled as a playwright and lyricist as he was as an actor, Gene Lockhart soon found success on the American Stage. Between 1917 and 1925, Lockhart had demonstrated his skills as a performer, playwright, director and lyricist, all with positive critical success.

Lockhart met and married the former Kathleen Arthur, a British Stage actress, in 1924. In 1925, the couple gave birth to June Lockhart, who'd go on to fame in her own right, exploding onto the Broadway Stage at the age of 22, with a critically acclaimed performance in For Love or Money (1947).

Lockhart's Stage career eventually encompassed sixteen Broadway plays, several of which he both performed, wrote and directed--one of which, Bunk of 1926, he adapted from his own book, performed, directed and composed the score. Over the course of his Film career, Lockhart appeared in over 300 films as a solid, versatile character actor.

Lockhart's Radio career spanned the entire Golden Age of Radio era, highlighted by his own program, Abroad With the Lockharts (1930), and often appearing with his wife Kathleen in several other prestigious dramatic Radio venues over the years.

When Television took off in earnest, Gene Lockhart was as much in demand in the new medium as he'd been in Film. As Television took off, Gene Lockhart was already in his 60s, but as in demand for a wide range of character parts as he'd been in Film. Had he not been taken by a heart attack in 1957, it's more than likely that he'd have performed another ten years in Television and Film.

In a moment of perfect Film symmetry, the entire Lockhart family is fondly remembered every Christmas season for their appearance in A Christmas Carol (1938), with Gene Lockhart as Bob Cratchit, Kathleen Lockhart as Mrs. Cratchit, and June Lockhart as their daughter Belinda Cratchit. A fitting tribute to one of the entertainment world's most successful performing families.




Kathleen Lockhart [Kathleen Arthur]
(Ensemble performer)

Stage, Screen, Radio, and Television Actress
(1894-1978)

Birthplace: Southsea, Hampshire, England, U.K.

Radiography:

1930 Abroad With the Lockharts
1936 Tonight In Hollywood
1936 Lux Radio Theatre
1938 The Chase and Sanborn Hour
1939 Good News
1941 The Rudy Vallee Sealtest Show
1945 The Nebbs
1946 Cavalcade Of America
1951 Family Theater
1952 The Forty Million
The Gene and Kathleen Lockhart Hollywood Album (Audition)


Kathleen Lockhart as Mrs. Cratchit in M-G-M's 1938 Christmas classic, A Christmas Carol
Kathleen Lockhart as Mrs. Cratchit in M-G-M's 1938 Christmas classic, A Christmas Carol

Kathleen Lockhart. The dour expression isn't sea-sickness. She's seen here as Mrs. Grayson the distraught mother in Lady In the Lake (1947)
Kathleen Lockhart. The dour expression isn't sea-sickness. She's seen here as Mrs. Grayson the distraught mother in Lady In the Lake (1947)

Kathleen Lockhart as Mary Brewster in Plymouth Adventure (1952)
Kathleen Lockhart as Mary Brewster in Plymouth Adventure (1952)
From the February 23, 1978 edition of the Winnipeg Free Press:
 
Veteran actress Kathleen Lockhart dies at 84
 
     LOS ANGELES (AP) -- Kathleen Lockhart, mother of actress June Lockhart, and herself a veteran of more than five decades on the stage and screen, has died following a lengthy illness.  She was 84.
     Born in England, Mrs. Lockhart was the widow of actor Gene Lockhart.  She and her husband collaborated on radio and the stage before branching out into films and television.
     Mrs. Lockhart, who died Friday in Marycrest Manor, acted in about 30 films, including A Christmas Carol, Two Years Before the Mast.


Over a dramatic career spanning five decades, Kathleen Lockhart was one of the most durable and versatile actresses of her time. Often acting opposite her equally famous husband, actor Gene Lockhart, the couple first appeared together over Radio in the delightful 1930 situation comedy, Abroad with The Lockharts. A brilliant tour de force by The Lockharts, the entire series was written and performed by only Gene and Kathleen Lockhart. Already in her mid-30s at the time, Kathleen's charm, natural comedic talent, and obvious ease working with her husband virtually ensured that the couple would work together many more times throughout their careers.

A respected Stage actress, Kathleen Lockhart's most lasting impression on the American public came with her marvelous transformation--every bit as much as that of 'Old Scrooge' himself--in the 1938 M-G-M Christmas classic, A Christmas Carol. Initially portrayed as the hopelessly down-trodden wife of the ever-optimistic Bob Cratchit, Kathleen Lockhart's ability to so dramatically transform her Mrs. Cratchit at various turns in roller-coaster script stole every scene in which she appeared.

Over a Film career that spanned at least forty feature films, Kathleen Lockhart appeared in a broad range of matronly or motherly characterizations. She retired from Film after the unexpected death of her husband Gene Lockhart in 1957.

All three Lockharts--Kathleen, Gene and young June--appeared together several times over Radio and in Film. Kathleen Lockhart reportedly devoted the remainder of her life to her daughter June and granddaughters Anne and Elizabeth before succumbing to a long illness at the age of 84.



June Lockhart (Ensemble performer)
Stage, Screen, Radio, and Television Actress
(1925--)

Birthplace: New York City, New York, U.S.A.

Radiography:

1934 The Metropolitan Opera
1936 Tonight In Hollywood
1936 Lux Radio Theatre
1940 Canadian Red Cross Emergency Appeal
1941 Pilgrim's Progress
1941 The Rudy Vallee Sealtest Show
1944 Cavalcade Of America
1946 This Is Hollywood
1948 Marine Story
1950 Theater Guild On the Air
1951 Stars On Parade
1952 The Forty Million
1957 Suspense
1970 A Halloween Story
1979 Sears Radio Theater
Proudly We Hail

June Lockhart
June Lockhart

LIFE magazine introduced its readers to June Lockhart in a three-page article citing her debut in For Love or Money
LIFE magazine introduced its readers to June Lockhart in a three-page article citing her debut in For Love or Money.

June Lockhart calls the drama critic of the Herald Tribune to get the verdict on her performance (Nov. 4 1947)
June Lockhart calls the drama critic of the Herald Tribune to get the verdict on her performance (Nov. 4 1947)

Caption reads: '2:15 A.M. -- June woke her father and shouted, "The notices are out. Come and get the papers with me.' Just as excited as June, he dressed in three minutes' Nov. 4 1947
Caption reads: '2:15 A.M. -- June woke her father and shouted, "The notices are out. Come and get the papers with me.' Just as excited as June, he dressed in three minutes' Nov. 4 1947

Lovely June Lockhart made her Film debut at the age of 12 as Brenda Cratchit in the 1938 M-G-M production of A Christmas Carol. Young June appeared in the Christmas classic with her parents, Gene and Kathleen Lockhart, as the Cratchits. June made her Broadway debut in the November 4th 1947 premiere of For Love or Money, as the captivating ingenue Janet Blake, a role for which she received the 1948 Antoinette Perry award for Best Newcomer.

But neither of those appearances were her first entertainment world exposure to the American public. By 1938 she'd already appeared in the 1934 performance of Peter Ibbetson over The Metropolitan Opera broadcast of March 17th. At the age of 10 she'd been interviewed over Radio with her parents in a broadcast of Tonight In Hollywood (1936).

She'd also appeared in Lux Radio Theatre's December 1936 production of Cavalcade. But it was a three-page LIFE magazine spread in its November 1947 issue titled "A Star Is Born" tracing the 24 hours following her Broadway debut in For Love or Money and her subsequent 1948 Tony Award that propelled June Lockhart's career into 'star' status.

Continuing to appear in Film, over Radio, and in early Television during the 1940s, June Lockhart's natural talent, wholesome charm, and beauty
continued to attract even more attention from Film, Stage and Television producers.

June was also featured with her parents in Radio's 1952 series, The Forty Million, which addressed the most important health concerns of the--then--forty million children of America.

The overwhelming number of her fans cite her role as Ruth Martin in the long-running Lassie Television series (1958-1964) as the role that ensured her place in Entertainment history. June's appearances in Lassie made her one of a handful of iconic 'ideal young mother' figures of the 1950s and 1960s and very much set the tone for all other 'young mother' characterizations that would evolve between the 1950s and 1970s.

June Lockhart married Dr. John Maloney in 1951, a marriage that gave her two daughters, Anne Kathleen and June Elizabeth. Divorcing in 1959, June married her second husband, architect John Lindsay later that year. The couple divorced in 1970. June Lockhart never remarried.

June became yet another iconic mother as sexy Maureen Robinson in Television's 1965 Lost In Space, which ran for three years. Depicted as a far more 'hip' mom of the space-age 1960s, June's role as Space's version of Mrs. Robinson sparked her interests in both Space and N.A.S.A. that continue on to this day.

Blessed with genuinely timeless beauty, June Lockhart's hundreds of appearances on the Stage, in Film, and over Television after her 1948 Tony Award demonstrated a breadth, versatility, and range rarely seen in an actress of her talent.

Now in her mid-80s, June Lockhart is as vital and attractive as ever and remains an icon of 2oth Century American motherhood and clean, wholesome beauty.



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