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The Dark Destiny Radio Program

Dee-Scription: Home >> D D Too Home >> Radio Logs >> Dark Destiny

Dark Destiny was another of WOR's great locally produced dramas
Dark Destiny was another of WOR's great locally produced dramas


The Billboard reviewed the September 2nd 1942 Dark Destiny episode, Curse of the Tomb, on September 12th 1942
The Billboard reviewed the September 2nd 1942 Dark Destiny episode,
Curse of the Tomb, on September 12th 1942

The Billboard and many other Radio critics of the era viewed the War Years' many thrillers and horror dramas as escapist entertainment from the rigors of the World War II homefront
The Billboard and many other Radio critics of the era viewed the War Years' many thrillers and horror dramas as escapist entertainment from the rigors of the World War II homefront


Background

Mystery and crime fare throughout the World War II years represented some of the Radio's finest programming. When the networks weren't mounting their own patriotic presentations in one form or another, they were attempting to provide the homefront with sufficiently compelling entertainment to provide a respite from the War and its inevitable mental drain across America. WOR in particular mounted some of the most popular and enduring programming in their history during the War years. Some of the brighter spots in Mutual's WOR line-up during the War years were:

1938-1949 The Adventures of Superman
1940 Can You Top This?
1940 Captain Midnight
1940 Mandrake the Magician
1941 Affairs of Tom, Dick and Harry
1941 Famous Fathers
1941 Bulldog Drummond
1941 The Border Patrol
1942 It Pays to Be Ignorant
1942 Murder Clinic
1942 Dark Destiny
1942 The Better Half
1942 The Black Castle
1942 The Red Ryder
1943 A.L. Alexander's Mediation Board
1943 The Black Hood
1943 The Mysterious Traveler
1944 Archie Andrews
1945 Abbott Mysteries
1945 Arch Oboler's Plays
1945 Boston Blackie
1945 The Adventures of Father Brown
1945 The New Adventures of Nero Wolfe

Unquestionably the most popular and successful programs in this list were The Adventures of Superman, Captain Midnight, The Mysterious Traveler, Bulldog Drummond, and It Pays To Be Ignorant. But tucked away in the middle of that list is one of WOR's fascinating thriller dramas of the era--the Arthur and Kogan-written, Dark Destiny, produced and directed by Jack Johnstone.

Mutual's flagship station, WOR, airs Dark Destiny as sustainer

A great number of "spine chillers, homicidery, and bloody epics" had emerged to promote the food and drugs of the era, as observed by the following article by Marion Radcliffe, "Walk Into My Parlor" from the February 20, 1943 edition of The Billboard:

The Billboard Nerve-Wracking Nineteen from 43-02-20

     NEW YORK, Feb. 13,--It takes a total of 19 network shows a week, comprising 9 1/2 hours of air time, to chill the spine of the nation, with 13 sponsors taking advantage of the listeners' state of helpless horror to try to sell them 10 different kinds of food and drugs, two brands of tobacco and one brand of coal.  The nerve-racking 19 run the gamut from the cops-and-robbers roughhouse of Gang Busters and Bulldog Drummond to the sophisticated sleuthing of Thin Man and the subtle terror of Inner Sanctum and Lights Out.  The cowboy-and-Indian, cops-and-robbers dramas, which have been making kids and grownups alike shriek and shiver since almost the beginnings of radio, are slanted toward the war now, keeping Green Hornet and The Shadow pretty busy tracking down vicious Nazi spies and saboteurs.  Counter-Spy, which debuted over CBS in May, 1942, devotes itself entirely to the adventures in espionage of an American secret agent.   Almost all the mystery shows inject the war angle into their scripts, with black markets, for instance, serving as a subject for investigation on recent programs of both Mr. District Attorney and Crime Doctor.  OWI propaganda about loose talk sinking ships was dramatized on a recent Ellery Queen show, and the latest Inner Sanctum drama was turned over to the Treasury Department's War Bond Drive.

     Theory that war increases listening to escape programs has been taken seriously by the networks, three of which have lately added mystery thrillers to their list of sustaining shows.  New this season on Mutual are Dark Destiny, presenting tales of the supernatural, and Murder Clinic, which dramatizes adventures of famous fiction detectives.  Both originate from WOR and go out to the full network.  Suspense, a detective thriller, started on the Columbia network in June, 1942.  Blue Network within the past month has been scaring its listeners with Horror, Inc., which bowed in on January 17 with Eva Le Gallienne reading a different blood-curdling tidbit each week; The Strange Dr. Karnac, which finds the gentleman of the title in a sinister episode each week involving black magic, began haunting the Blue January 23.

     Altho many mystery programs use guest stars, 11 of them maintain the same radio actors for the leading roles each week.  Don McLaughlin plays the FBI agent in Counter-Spy; Carlton Young, Marion Shockley, Santos Ortega and Ted de Corsia are regularly cast in Ellery Queen; Joseph Curtin and Alice  Frost are Mr. and Mrs. North, and Jay Jostyn, Len Doyle and Vicki Vola take the lead roles in Mr. District Attorney.  Claudia Morgan and Lester Damon play Nora and Nick in the Thin Man; Everett Sloan has the part of Dr. Benjamin Ordway in Crime Doctor, and Bennett Kilpack is Mr. Keen, Tracer of Lost Persons.  Bill Johnstone and Marjorie Anderson star in The Shadow, and Alan Hewitt had the lead in Bulldog Drummond until his induction into the army.  Mystery shows use on an average of from five to eight actors.

     The question of who gets more exhausted from mystery and horror shows on the air--listeners, actors, producers or sound effects men--is one that has recently come up for consideration.  It is claimed by some students of the subject that listeners "enjoy" trembling, sweating and fainting as a result of weird things they hear on the air, because after it is all over they get a wonderful feeling of relief at finding themselves safely sheltered in a warm, dry living room and not swimming in rat-infested sewers or trapped in a cemetery vault with 10 ghosts.  While the listener turns to horror and mystery programs for release, it has been reported that the actors are affected by their own macabre characterizations to the extent of losing weight, voices and nerve.

     Not only are the sound effects men, who open and close the special creaking door on Inner Sanctum, clang the giant gong on Lights Out and simulate the footsteps and other eerie sounds indispensable on mystery shows, but organs and--on the higher-priced shows--orchestras are a must.  Fred Fradkin's orchestra augments the ghastly activities on Thin Man; Bernard Herrmann directs the ork on Suspense; Peter Van Steeden's band livens things up on Mr. District Attorney; Frank Novak's band offers the musical interludes on Mr. and Mrs. North, and Ray Bloch is heard on Crime Doctor.  Organists like Charles Paul on Ellery, Lew White on Sanctum, Bob Hamilton on Counter-Spy, and Rosa Rio on Horror, Inc., play a large part in creating the moods, goose pimples and chandelier climbing on the killer-chillers.

     While many of the shows are the brain-children of modern script writers, old masters of the sinister and the supernatural are leaned on heavily.  Murder Clinic dramatizes well-known detective stories; Bulldog Drummond borrows its material from H.C. McNeil's famous stories; Horror, Inc., digs down to find the bleakest and most violent bits that have been written; Thin Man is based on the Dashiell Hammett character of literature and films, and Mr. and Mrs. North uses the characters created by Mr. and Mrs. Richard Lockridge in their Broadway play and in short stories.  Famous Jury Trials, Gang Busters, and Crime Doctor are credited with being based on actual case histories of criminals and trials.

     Tuesday night sends the most mystery shows into American homes, with five of them scheduled, while the peace and quiet of Sunday is broken into by four murder epics.  at 8:30 to 9 p.m. is the most popular scaring hour, with five bloody opuses coming at this time.  Ruthrauff & Ryan leads the agencies in this type of show, producing The Shadow, Ellery Queen and Lights Out, with Lee Cooley supervising the three.  Phillips H. Lord, Inc., which has been arranging Gang Busters for eight years is also producer of Counter-Spy.  Himan Brown, independent producer, does Inner Sanctum, Thin Man and Bulldog Drummond.

(Copyright The Billboard Magazine)


Series Derivatives:

None
Genre: Anthology of Golden Age Radio Thriller Dramas
Network(s): MBS
Audition Date(s) and Title(s): Unknown
Premiere Date(s) and Title(s): 42-08-26 01 It Is Later Than You Think
Run Dates(s)/ Time(s): 42-08-26 to 43-03-11; MBS; Twenty-six, 30-minute programs; Wednesday evenings, then Thursday evenings
Syndication: Mutual
Sponsors: Sustained
Director(s): Jack Johnstone [Producer]
Principal Actors: Carl Eastman, Elspeth Eric, Jack Johnstone, Alfred Shirley
Recurring Character(s):
Protagonist(s):
Author(s): None
Writer(s) David Kogan and Robert A. Arthur
Music Direction:
Musical Theme(s):
Announcer(s): Bob Shepherd
Estimated Scripts or
Broadcasts:
26
Episodes in Circulation: 2
Total Episodes in Collection: 1
Provenances:
RadioGOLDINdex, Hickerson Guide.

Notes on Provenances:

The most helpful provenances were the log of the radioGOLDINdex and newspaper listings.

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The Dark Destiny Radio Program Log

Date Episode Title Avail. Notes
42-08-19
--
--
42-08-19 New York Times
9:30-WOR--Pass in Review--Army Show, From Fort Sheridan, Ill.
42-08-26
1
It Is Later Than You Think
N
{Premiere; Wednesdays]

42-08-26 New York Times
9:30-WOR--Dark Destiny--Sketch
42-09-02
2
The Curse of the Tomb
N
42-09-02 New York Times
9:30-WOR--Dark Destiny--Sketch:
The Curse of the Tomb
42-09-09
--
Preempted
--
42-09-09 New York Times
8:30-WOR--Football: Army All-Stars vs. Detroit Lions, at Detroit
42-09-16
--
Preempted
--
42-09-16 New York Times
8:15-WOR--Football: Army All-Stars vs. Brooklyn Dodgers, at Baltimore
42-09-23
3
The Man Who Couldn't Die
N
42-09-23 New York Times
9:30-WOR--Dark Destiny--Play
42-09-30
4
Escape Into the Night
N
42-09-30 New York Times
9:30-WOR--Dark Destiny--Play
42-10-07
5
The Knives Of Death
N
42-10-04 Ogden Standard-Examiner
Stories of the occult, of fate and destiny, of the mystic supernatural, will march in somber and weird procession through Mutual microphones when "Dark Destiny," a new chiller series makes it's debut soon. "Dark Destiny" will present stories- based on the premise that: "There are lives foredoomed from the beginning. There are souls born beneath dark stars who must travel by strange and terrible roads to meet their destinies." Jack Johnstone, noted for his use of unusual voice and sound effects, will produce and direct the series. "Dark Destiny" will replace Morton Gould's "Music for America."

42-10-07 New York Times
9:30-WOR--Dark Destiny--Play:
The Knives of Death

Movie-Radio Guide
Programs for Oct. 10-16
Tuesday, October 13
8:00--
Dark Destiny: WSYB WLNH WCOU WOR WABY WNAC WEAN WTHT
42-10-17
6
Murderer At Large
N
{Moves to Saturdays]

42-10-17 New York Times
8:00-WOR--Dark Destiny--Play
42-10-24
7
The Bell Of Life
N
42-10-24 New York Times
8:00-WOR--Dark Destiny--Play
42-10-31
8
Masquerade
Y
[Halloween Program; A Halloween Party in a haunted house]

42-10-31 New York Times
8:00-WOR--Dark Destiny--Play

Annouces
Till Death Do Us Part as next
42-11-07
9
Till Death Do Us Part
N
42-11-07 New York Times
8:00-WOR--Dark Destiny--Play
42-11-14
10
The Dynasty of Death
N
42-11-14 New York Times
8:00-WOR--Dark Destiny--Play
42-11-21
11
No Escape
N
42-11-21 New York Times
8:00-WOR--Dark Destiny--Play
42-11-26
12
Full Fathom Fifty
N
{Moves to Thursdays]

42-11-26 New York Times
8:30-WOR--Dark Destiny--Play
42-12-03
13
Extra! Extra!
N
42-12-03 New York Times
8:30-WOR--Dark Destiny--Sketch
42-12-10
14
Mortal Clay
N
42-12-10 New York Times
8:30-WOR--Dark Destiny--Sketch
42-12-17
15
They Who Sleep
N
42-12-13 Ogden Standard-Examiner
"Dark Destiny." horror story series produced and directed by Jack Johnstone, has replaced Tom Howard's "It Pays to Be Ignorant" on Thursday nights.

42-12-17 New York Times
8:30-WOR--Dark Destiny--Sketch
42-12-24
16
No One On the Line
N
42-12-24 New York Times
8:30-WOR--Dark Destiny--Sketch
42-12-31
17
Murder Goes Free
N
42-12-31 New York Times
9:30-WOR--Dark Destiny--Sketch
43-01-07
18
The Whisper Of Death
N
43-01-07 New York Times
8:30-WOR--Dark Destiny--Sketch
43-01-14
--
Preempted
--
43-01-13 Charleston Daily Mail
Jack Johnstone, who directs Max Marcin's Crime Doctor over CBS on Sundays, also directs "Dark Destiny." over MBS Thursdays.

43-01-14 New York Times
8:30-WOR--Wendell Willkie, Speaking at Mass Meeting, Duke University, Raleigh, NC.
43-01-21
19
The House of Cain
N
43-01-21 New York Times
8:30-WOR--Dark Destiny--Sketch
43-01-28
20
If You Believe
N
43-01-28 New York Times
8:30-WOR--Dark Destiny--Sketch
43-02-04
21
Horror By Night
N
43-02-04 New York Times
8:30-WOR--Dark Destiny--Sketch
43-02-11
22
Five Miles Down
N
43-02-11 New York Times
8:30-WOR--Dark Destiny--Sketch
43-02-18
23
Death Won't Wait
N
43-02-18 New York Times
8:30-WOR--Dark Destiny--Sketch
43-02-25
24
The Cat From Hell
N
43-02-25 New York Times
8:30-WOR--Dark Destiny--Sketch
43-03-04
25
Flight To Safety
N
43-03-04 New York Times
8:30-WOR--Dark Destiny--Sketch
43-03-11
26
The Hand With Claws
N
43-03-11 New York Times
8:30-WOR--Dark Destiny--Sketch

43-03-11 Evening Huronite
MBS—7:30
Dark Destiny, finale;
43-03-18
--
--
43-03-18 New York Times
8:30-WOR--Busy Mr. Bingle--Sketch






The Dark Destiny Radio Program Biographies




Jack Johnstone
(Producer/Director)

Radio Writer, Narrator, Actor, Producer, and Director
(1906-1991)

Birthplace:
Vineland, New Jersey, U.S.A.

Radiography:
1936 Buck Rogers
1942 Dark Destiny
1944 The Man Called X
1946 Hollywood Star Time
1948 The Secret Life Of Walter Mitty
1948 Prudential Family Hour Of Stars
1950 Richard Diamond, Private Detective
1950 Hollywood Star Playhouse
1950 Somebody Knows
1952 Tums Hollywood Theater
1953 The Six Shooter
1955 Yours Truly, Johnny Dollar
1956 CBS Radio Workshop
Safari
Jack Johnstone with Johnny Roventini from January 1 1935
Jack Johnstone with Johnny Roventini from January 1 1935


Jack Johnstone at mike

Jack Johnstone obituary from the Sarasota Herald December 4 1991
Jack Johnstone obituary from the Sarasota Herald December 4 1991
Jack Johnstone was a versatile Radio writer, producer, actor and director during the heyday of The Golden Age of Radio. As early as the Buck Rogers In the 25th Century juvenile serial adventures of the 1930s and beyond, Jack Johnstone leant his hand to acting in, writing, and directing some of Radio's most popular programs.

Johnstone is most remembered for his work on popular adventure and detective dramas such as The Man Called X (1944) and Richard Diamond Private Detective (1950), but he was equally instrumental in 1950's Somebody Knows, Hollywood Star Playhouse (1950), Tums Hollywood Theater (1952), Jimmy Stewart's starring vehicle, The Six Shooter (1953), and hundreds of episodes of the long running Yours Truly, Johnny Dollar (1955). Johnstone was also a featured director of four of the widely heralded CBS Radio Workshop programs of the mid-1950s.

In the case of Hollywood Star Playhouse and Hollywood Star Time, it was Johnstone who brought actors of the caliber of Jimmy Stewart and Barbara Stanwyck to broadcast Radio. Jimmy Stewart's appearance in Hollywood Star Playhouse's episode The Six Shooter, led to Jimmy Stewart's participation as the star of the subsequent The Six Shooter series two years later, one of Radio's most popular and enduring favorites of the era.

Having witnessed the birth, heyday and demise of The Golden Age of Radio, when Yours Truly, Johnny Dollar left the air in 1962, Johnstone chose to retire with it. He might well have found further success in Television, but he was a Radio man to his core.

Johnstone passed away in 1991 from cancer at the age of 85, after a career spanning 32 years of The Golden Age of Radio and well over 4,000 appearances or credits to his name.



Robert Jay Arthur, Jr.
(Author)
Author, Adapter, Director, Producer, Magazine Editor, Screenwriter, Activist

(1909-1969)

Birthplace: Fort Mills, Corregidor Island, The Philippines

Education:
William and Mary College
B.A., English
M.A. in Journalism,
The University of Michigan
Columbia University

Radiography:
1942
Dark Destiny
1943
The Mysterious Traveler
1945
Adventure into Fear
1945
The Sealed Book
1949
Murder By Experts
1950
The Teller of Tales
1952
Mystery Time

Awards:

1950
'Edgar' for Best Radio Drama for Murder by Experts
1953
'Edgar' for Best Radio Mystery Drama for The Mysterious Traveler.


Robert Arthur, Jr. at 'work' at his typewriter, c. 1940
Robert Arthur, Jr. at 'work' at his typewriter, c. 1940

Early Photo of Robert Arthur, Jr. at Ann Arbor, Michigan, ca. 1929
Early Photo of Robert Arthur, Jr. at Ann Arbor, Michigan, ca. 1929

Robert Arthur, Jr. at 'play' at his radio, c. 1942
Robert Arthur, Jr. at 'play' at his radio, c. 1942

The Mysterious Traveler Magazine, from November 1951
The Mysterious Traveler Magazine, from November 1951


The Writers Guild of America--East, sucessor to the Radio Writers Guild of 1942.

Robert Jay Arthur, Jr. was born November 10, 1909, on Corregidor Island, The Philippines. His father, Lieutenant Robert Arthur, Sr. was stationed in the United States Army Expeditionary Forces with his wife, Sarah Fee Abbey. As an Army brat, Robert, Jr. spent much of his childhood moving from Army base to Army base. He was educated in the public schools of Massachusetts, Michigan, Kansas, and Virginia.

The Valedictorian for his high school graduating class, Arthur had won appointments to both Annapolis and West Point, but declined the appointments, enrolling instead at William and Mary College in 1926. Two years later, he transferred to the University of Michigan, Ann Arbor, and graduated from the University of Michigan with a B.A. in English.

After a brief stint as editor of one of the Munsey Publications, he returned to the University of Michigan, receiving an M.A. in Journalism in 1932. During 1938 he met and married Susan Smith Cleaveland, a Radio soap opera actress, but by 1940 the couple divorced. He moved Greenwich Village and began writing for pulp magazines. By 1940, he'd published stories in:

  • Wonder Stories
  • Detective Fiction Weekly
  • Mystery
  • Illustrated Detective Magazine
  • Street & Smith's Detective Story Magazine
  • Amazing Stories
  • The Shadow
  • Street & Smith Mystery Reader
  • Detective Tales
  • Thrilling Detective
  • Double Detective
  • Startling Stories
  • Collier's
  • The Phantom Detective
  • Argosy Weekly
  • Black Mask

In addition, Arthur worked as a writer and editor for pulp western, fact detective, and screen magazines for Dell Publishing, becoming associate editor of Photo-Story, a ground-breaking picture magazine published by Fawcett Publications. He then conceived and edited Pocket Detective Magazine for Street & Smith, the first pocket-sized, all-fiction magazine, which published several of his stories. .

The Mysterious Traveler also aired as Adventure Into Fear and 26 of its scripts aired as The Sealed Book. From 1948 to 1951 Arthur and Kogan produced Dark Destiny, an early, well-received, television thriller series.

In 1940 he met the woman who would become his second wife, Joan Vaczek, in a class on The Short Story while attending Columbia University. Joan Vaczek was the daughter of a Hungarian diplomat and a budding science-fiction writer in her own right. During the same year that he met his future writing partner, David Kogan, with whom he eventually wrote and produced his first radio show, Dark Destiny (1942). Soon after that the team wrote and produced The Mysterious Traveler (1943), which aired over the Mutual Broadcasting System and eventually won the Edgar Allan Poe Award for Best Mystery Radio Show of the Year for 1952 by The Mystery Writers of America. He'd also won the 'Edgar' for Best Radio Drama for 1950 for Murder By Experts.

Robert Arthur and Joan Vaczek eventually married in December 1946, moved to Connecticut and then New York, where they had two children, Robert Andrew Arthur and Elizabeth Ann Arthur.

1953 brought the end of his relationship with The Mutual Broadcasting System. He and his partner, David Kogan were both active members of The Radio Writers' Guild. The House Commitee on Un-American Activities (HUAC) had 'determined' that The Radio Writers' Guild was a 'Communist front group'.

History has shown that this was simply another of the numerous, shameful union-busting attempts by the HUAC. Their basic aim was to link a growing collective bargaining movement with Communism, so as to benefit the Radio, Television and Film industries by keeping their employees from forming collective-bargaining units--or unions. The Supreme Court of the United States, in 1937, had ruled the 1935 National Labor Relations Act to be constitutional, but when ultra-conservatives came to power during the Cold War years, they determined to find other ways to undermine the collective bargaining provisions of the Act.

The HUAC's naked fear-mongering tactics succeeded for several of the most shameful years in American history. The Committee's sham hearings were eventually brought down by the very industries they were attempting to benefit--Radio and Television.

To its shame, The Mutual Broadcasting System and its radio station WOR, caving under pressure from their affiliates and corporate sponsors, abruptly canceled The Mysterious Traveler and Robert Arthur's career as a Radio Writer effectively ended. The Mysterious Traveler had consistently been rated among the top sixteen most popular Radio programs of the era. Robert Arthur, Jr. had written and produced over five hundred radio scripts for his two shows as well as for Dark Destiny, The Sealed Book, The Shadow, and Nick Carter, Master Detective.

After 1952, Arthur worked as a co-producer for ABC's radio show Mystery Time as well as continuing to write and publish pulp fiction. In 1959, he moved to Hollywood where he worked in television, writing scripts for The Twilight Zone. He also worked as a story editor and script writer for Alfred Hitchcock's long-running Alfred Hitchcock Presents for television. Robert Arthur, Jr. is also credited with writing most of Hitchcock's droll prologues for the Alfred Hitchcock Presents programs.

He moved back to New Jersey in 1962, where he lived with his father's aunt, Margaret Fisher Arthur, until his death in 1969 at the age of 59.

Among pulp fiction fans and Golden Age Radio fans alike, Robert Arthur's stories and scripts remain some of the most rivetting, compelling fiction from the Golden Age. He and his partner, David Kogan, continue to acquire new fans with every passing generation through the enduring magic of Golden Age Radio.




David P. Kogan
(Author)

Author, Adapter, Director, Producer, Magazine Publisher
Radio, Television, Film and Stage Actor
(1905-1964)
Birthplace: New York City

Awards:

1950
'Edgar' for Best Radio Drama for Murder by Experts
1953
'Edgar' for Best Radio Mystery Drama for The Mysterious Traveler.

Radiography:
1943
The Mysterious Traveler
1945
Adventure into Fear
1945
The Sealed Book
1950
Suspense
1950
The Teller of Tales

David P. Kogan, c. 1960
David P. Kogan, c. 1960


With his writing partner of twenty years, Robert Arthur, David Kogan wrote and produced some of the finest fiction drama of the Golden Age of Radio.



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