
The Bakers' Theater of Stars Radio Program
|
|
Dee-Scription: |
Home >> D D Too Home >> Radio Logs >> Bakers' Theater of Stars |

Premiere announcement of Bakers' Theater of Stars from February 19 1953

Artist/Illustrator Ellen Segner's charming Little Miss Sunbeam was prominently featured in the Sunbeam Bread ads from 1942, forward, of the era. The Sunbeam Bakery was one of Bakers of America's most successful member bakers.

Sunbeam Bread ad circa 1953
|
Background
Bakers of America was conducting a full-court press of public relations and promotion throughout 1952 and 1953, culminating in their annual Convention in June 1953. A consortium of the American Bakers' Association, The Bakers of America and Quality Bakers of America--the organization best known for the Sunbeam Bread brand--combined to sponsor this wonderful, star-studded thirteen-program dramatic anthology.
Bakers of America had already sponsored Hollywood Star Playhouse for its final season over NBC. That final run of Hollywood Star Playhouse introduced Miss Helen Reed, the Bakers of America Home Economist, who promoted baking with clever, easy to prepare baking recipes at the end of each episode. The Home Economist promotions were clever, light and tasteful--literally and figuratively.
During the same period when Bakers of America was sponsoring the last season of Hollywood Star Playhouse, it created something of a stir throughout the advertising industry by telling The Billboard magazine that it intended to devote most of its advertising budget to Radio from that point forward:

Bakers of America announces its adoption of Radio as its advertising medium of choice.
1950s Radio, like any other business, was all about supply and demand. When demand increases for a commodity--Radio programming as an advertising medium--and the supply of that commodity remains unchanged, prices go up. When demand for a commodity goes down, but the supply remains the same, prices go down. Bakers of America was tacitly throwing its considerable weight to Radio with the Billboard announcement. More demand for an unchanging commodity would lead to higher advertising costs. Reduced demand for a relatively unchanging supply of Radio advertising would lead to lower advertising costs.
Bakers of America's announcement of increasing its demand might have sparked a trend towards more demand from other advertisers--at a time when NBC was already attempting to squeeze more out of its affiliates by citing lower demand over Radio. The announcement surprised the Radio industry--NBC in particular--since NBC had for the previous two years been attempting to get its affiliates to accept a rate cut, due to market penetration by Television. Bakers of America, so enthused at the reception, penetration and success of its own campaign over NBC with Hollywood Star Playhouse, was signaling its willingness to throw the bulk of its advertising weight to Radio at a time when NBC in particular was attempting to move more advertisers to Television. Feeling more 'damned by faint praise' than simply praised by Bakers of America for its successful campaign over NBC, NBC felt stung. And perhaps rightly so. For in fact there was still a completely viable outlet for specific product messaging over Radio--even with the advent of popular Television.
NBC felt it was a 'mixed message.' The Bakers of America felt it was singing NBC's--and Radio's--praises. Such was the environment in Radio during the waning years of The Golden Age of Radio.
CBS and the Bakers of America debut their Theatre of Stars
Neither CBS nor the Bakers of America spared any expense to bring one of CBS' finest drama anthologies to the air. There's no question that CBS would have loved continuing the series beyond thirteen episodes, but once the June 1953 Convention had come and passed, the promotion had accomplished its purpose for Bakers of America. This had to have been an expensive production to mount. One glance at the roster of leading stars shows Hollywood actors well worth the $3,000 to $5,000 appearance fee they'd have commanded by 1953. Add to that, CBS Pacific Net's finest supporting actors, one of their brightest up and coming directors, Norm Macdonnell, music direction by Wilbur Hatch, announcer and spokesman, Wendell Niles, and you have a $7,000 to $9,000 a episode production.
This was also the period during which NBC and CBS were nakedly poaching each other's talent, so working capital was at a premium for the remainder of the decade--for both networks. The costs, the departure of their sponsor of long-standing to NBC [to air Hollywood Star Playhouse], the waning of the impact of Radio, Bakers of America's Convention, and the rise of Television's impact conspired to condemn this fine production to its thirteen excellent programs.
If the circulating exemplars of this fine series are any indication, this was one of the most well-produced--albeit briefer--series' to air during the waning years of The Golden Age of Radio. Leading off with Joan Fontaine in The Guardsman, the series thereafter stars Joseph Cotten, Robert Taylor, Dana Andrews, Vincent Price, MacDonald Carey, Anne Baxter, Ronald Reagan, Claire Trevor, Ann Blythe and Van Heflin, amongst others, providing thirteen compelling radioplays starring Hollywood's brightest Film Stars. The selection of the radioplays themselves provided a pleasant mix of romantic, suspenseful, and light drama, as well as light comedy.
Impeccably transcribed, at least five of the circulating recordings retain the high production values laid down in the original recordings. Norm Macdonnell's direction is crisp, Wilbur Hatch's musical score and transitions perfectly support the script, and the dramatic performances are predictably excellent given the lead actors and their supporting casts.
|
|
Series Derivatives:
|
None |
|
Genre: |
Anthology of Golden Age Radio Dramas |
|
Network(s): |
CBS |
|
Audition Date(s) and Title(s): |
None |
|
Premiere Date(s) and Title(s): |
53-02-22 01 The Guardsman |
|
Run Dates(s)/ Time(s): |
53-02-22 to 53-05-17; CBS Pacific Network; Thirteen, 30-minute programs; Sundays, 5:00 p.m. |
|
Syndication: |
CBS Pacific Network Transcriptions |
|
Sponsors: |
The Bakers of America |
|
Director(s): |
Norman Macdonnell |
|
Principal Actors: |
Joan Fontaine, Joseph Cotten, Joan Banks, Lawrence Dobkin, John Dehner, Parley Baer, Don Diamond, Robert Taylor, Mary McGovern, Jeannie Bates, Harry Bartell, Will Wright, Vincent Price, Georgia Ellis, Edgar Barrier, Fay Baker, Ronald Reagan, Vivi Janis, Donna Hehner, Jay Novello, Frank Lovejoy, William Conrad, Howard McNear, Lou Krugman, Jack Kruschen, Ann Baxter, Lee Miller, Van Heflin, Byron Kane, John McGovern, Jerry Hausner, Robert Taylor, Dana Andrews, Claire Trevor, Ann Blythe |
|
Recurring Character(s): |
None |
|
Protagonist(s): |
None |
|
Author(s): |
Millard Kaufman, Nelson Bond, Kathleen Heidt, John Galsworthy |
|
Writer(s) |
Les Crutchfield, Anthony Ellis [Writers]
John Meston [Editorial Supervisor]
|
|
Music Direction: |
Wilbur Hatch |
|
Musical Theme(s): |
Unknown |
|
Announcer(s): |
Wendell Niles
Parley Baer [Narrator]
|
|
Estimated Scripts or
Broadcasts: |
13 |
|
Episodes in Circulation: |
4 |
|
Total Episodes in Collection: |
5 |
|
Provenances: |
|

The Billboard announcement of Hollywood Star Playhouse's movement to CBS from November 8 1952
|
RadioGOLDINdex, Hickerson Guide.
Notes on Provenances:

OTRisms:
There were at least seven known programs from The Golden Age of Radio that contained the fragments, 'Theater of Stars' or 'Theatre of Stars.' That combination of words does not unite all known 'theater of stars' programs between 1930 and 1984 into one long series of 'Theater of Stars' programs.
Bakers' Theater of Stars was conceived, promoted, produced and advertised as Bakers' Theater of Stars, specifically--a thirteen program production to promote a specific Bakers of America campaign. The Bakers of America had sponsored a previous production, The Hollywood Star Playhouse, in 1952 that aired from 1951 to 1953 in a completely different format. Part of the deal NBC, CBS and Bakers of America struck when Hollywood Star Playhouse moved to NBC was that CBS would provide Bakers Theatre of Stars as a 13-week promotional vehicle leading up to the Bakers of America convention in June 1953--nothing more, nothing less. As with everything 'otr'-related, the otr community simply shoots from the hip whenever citing 'connections' between anecdotally similar vintage Radio programs.
You're welcome to compare our fully provenanced research with the '1,500 expert researchers' at the OTRR and what they call their Hollywood Theater log. They also have an equally incorrect log of what they call Baker's Theater of Stars, which they also got wrong.
We've therefore provided a screen shot of their current logs for comparison, HERE and HERE to protect our own ongoing due diligence.
What you see here, is what you get. Complete transparency. Here's how we did it--for better or worse. Here's how you can build on it yourselves--hopefully for the better. Here's the breadcrumbs--just follow the trail a bit further if you wish. No hobbled downloads. No misdirection. No strings attached. We point you in the right direction and you're free to expand on it, extend it, use it however it best advances your efforts.
We ask one thing and one thing only--if you employ what we publish, attribute it.
We continue to provide honest research into these wonderful Golden Age Radio programs simply because we love to do it. If you feel that we've provided you with useful information or saved you some valuable time regarding this log--and you'd like to help us even further--you can help us keep going. Please consider a small donation here:
We don't pronounce our Golden Age Radio research as 'certified' anything. By the very definition, research is imperfect. We simply tell the truth. As is our continuing practice, we provide our fully provenanced research results--to the extent possible--right here on the page, for any of our peers to review--or refute--as the case may be. If you take issue with any of our findings, you're welcome to cite any better verifiable source(s) and we'll immediately review them and update our findings accordingly. As more verifiable provenances surface, we'll continue to update the following series log, as appropriate.
All rights reserved by their respective sources. Article and log copyright 2009 The Digital Deli Online--all rights reserved. Any failure to attribute the results of this copywritten work will be rigorously pursued.
|
|
|
The Bakers' Theater of Stars Radio Program Biographies
|
|
|
|
Wilbur Hatch
(CBS Hollywood Music Director)
(1902-1969)
Birthplace: Mokena, Illinois, U.S.A.
Education: University of Chicago
Radiography:
1937 White Fires Of Inspiration
1939 Gateway To Hollywood
1940 I Was There
1940 Forecast
1942 The Whistler
1942 They Burned the Books
1942 Lady Esther Screen Guild Theatre
1942 Meet Corliss Archer
1943 Suspense
1944 American Rhapsody
1944 Three Of A Kind (Audition)
1944 Four For the Fifth
1945 Twelve Players
1945 Columbia Presents Corwin
1947 The City
1947 Camel Screen Guild Theatre
1948 Escape
1948 Shorty Bell, Cub Reporter
1948 The Little Immigrant (Audition)
1948 Our Miss Brooks
1948 Life With Luigi
1948 My Favorite Husband
1949 Young Love
1949 Yours Truly, Johnny Dollar
1949 Broadway Is My Beat
1951 The Adventures Of Philip Marlowe
1952 I Love Lucy
1952 Hollywood Playhouse Of Romance
1953 General Electric Theatre
1953 Bakers' Theatre Of Stars
1953 Rogers Of the Gazette
1953 Crime Classics
1956 CBS Radio Workshop
1958 Luke Slaughter Of Tombstone
1958 Frontier Gentleman |

Wilbur Hatch, ca. 1958

Wilbur Hatch with Desi Arnaz, ca. 1960

Wilbur Hatch was a very active member of the American Federation of Musicians

Wilbur Hatch Spot Ad thanking listeners for their response to his American Rhapsody Program, ca. 1944
|
A midwestern product, Wilbur Hatch was born in Mokena, Illinois just southwest of Chicago. Wilbur Hatch attended the University of Chicago and upon completing his degree in Music, in 1922, became a staff pianist for KYW Radio in Chiacago at the age of 20. Hatch moved to Los Angeles in 1930 and began working as a staff composer and musician for CBS and Radio KNX in 1937
By 1937 Hatch was composing and conducting for CBS Radio's White Fires of Inspiration (1937-1938), Gateway to Hollywood (1938), and I Was There (1940). In 1940, Hatch got his big break tackling the Music Direction, composing, scoring and conducting for all of CBS Forecast's West Coast-originating previews for both the 1940 and 1941 seasons. The productions ranged from straight dramas to western adventures to comedies to variety programs. In all, Wilbur Hatch was credited with twelve out of the fourteen CBS Hollywood originating programs for Forecast's two preview seasons--an extraordinary performance.
Over the next twenty years, Hatch composed, conducted and/or directed the music for over 4,000 CBS Radio programs. He has one of the top 20 highest number of Radiography entries in the RadioGOLDINdex database of Radio programs and performers. Known for the music behind The Whistler (1942-1955), Hatch also scored the music for five of The Whistler movies, and twelve of The Whistler (1954-1955) Television programs.
Hatch's Radiography shows a breadth and versatility unique in Radio History. Wilbur Hatch directed most of the Screen Guild Players programs over a span of thirteen years. He also scored and directed the music for Broadway Is My Beat (1949) and Our Miss Brooks (1948) and then went on to direct the Music for the Our Miss Brooks (1952-1955) Television programs.
Even as CBS Television was taking off, Hatch continued to score and direct for both Radio and Television. CBS New York had Lyn Murray and CBS Hollywood had Wilbur Hatch. And that's how it stacked up for both of them for over twenty years for CBS.
Hatch got his next career break directing the Music for the I Love Lucy series, which led to his appointment as Music Director for Desilu Studios and all of their prolific output of Television programs. The 1960s saw Hatch directing and/or scoring the music for Gunsmoke (1964), The Untouchables (1960-1963), Mission Impossible (1966-1967), Twilight Zone (1961), and Star Trek (1966-1967).
Despite one of the busiest careers in Hollywood, Wilbur Hatch always found--or made--time to volunteer his talents to a dizzying array of Church and Community programs. His wife, Margaret, was also a Choral Director and soloist. They were both heavily involved in the local Church community.
Hatch was one of Hollywood's most respected and beloved Music Directors for almost thirty years, before he died suddenly of a massive heart attack in 1969. A devoted family man, Hatch was survived by his wife, three children, and eight grandchildren.
Wilbur Hatch continues to be remembered by hundreds of thousands of Golden Age Radio fans to this day. Having scored a great number of Radio and Television's most popular and enduring programs over the years, it's a foregone conclusion that virtually every Golden Age Radio collector has at least 400 to 1,000 examples of his Hatch's work in their libraries. An extraordinary testament to one of Radio's most enduring, yet unsung talents--unsung until now, that is. |
|
|
|
|
Home >> D D Too Home >> Radio Logs >> Bakers' Theater of Stars |
|
|
|